Capturing Light or Capturing Sin?

One of the most lyrical debuts of 2005 was Miranda Beverly-Whittemore's The Effects of Light. The realistic and sympathetic characters and the compelling, suspenseful story line will draw readers in while they ponder the author's thoughtful exploration of the classic social question, "What is Art and who gets to decide?"
Thirteen years after she fled the West Coast, Kate Scott is returning to hesitantly pry open painful memories of her sister and her father. A mysterious package from an unknown benefactor shows Kate that someone else knows her turbulent secret history as a child-model for a controversial photographer. Her lover, Samuel, follows Kate and pledges to help her unearth the clues her father has left behind, but when Kate discovers Scott's notebook with surreptitious jottings about herself and her family's notorious past, she rejects him. Readers will be drawn into the mystery surrounding Kate's sister, her father, and Ruth, the photographer, even wondering who Kate truly is. This first novel drew parallels with The Lovely Bones by Alice Sebold for the narrative voices of its teen characters, Girl With a Pearl Earring by Tracy Chevalier for its art-world frame and Possession by A.S. Byatt for its plot of academics searching ancient documents for contemporary truths.

Tempest in Pacific Northwest

I admit to being a big fan of Miranda Beverly-Whittemore's after her first novel The Effects of Light. I told everyone I knew about that book after I reviewed it for Booklist. I'm happy to say she didn't disappoint me with her sophomore effort, Set Me Free, and I'm eagerly awaiting the third.

Loosely using Shakespeare's The Tempest as a frame, this story is about the journey of one man to another and one daughter to another. Elliot, an educated, well-meaning Easterner with a mysterious past, moves to a desolate Indian reservation in the Pacific Northwest to open a school. His best friend and worst enemy is Cal Fleecing, a native Neige Courant, who is hiding his own past.

Elliott summons his ex-wife, Helen, a renowned Broadway theater director to stage a production of The Tempest in hopes of securing joint support from a wealthy day school in Portland, Oregeon upon approval of the tribal elders. Amelia, Elliott's daughter, has just returned from the white children's boarding school with a terrible secret about her departure. Everyone is hiding something from their pasts--ancient and recent. A tragic fire flushes out the truth for all as they gather to help a fatally injured member of their family.

All the subplots are woven well together and dovetail nicely in the midst of a surprising and logical ending. Characters are fully realized; pace is a combination of leisurely and swift. The literary references to other works are a particular delight to me and will be to those who are widely read, particularly in the classics.